Edgar Arceneaux and Julian Myers-Szupinska, Ph.D., collaborated for nearly a decade on a series of projects related to Land Art, Detroit, techno music, and the politics of space. Arceneaux’s interest focused on unresolved problems resulting from Michael Heizer’s Dragged Mass (1971) at the Detroit Art Institute in the years following the Detroit riot of 1967. Los Angeles-based Arceneaux will discuss this multi-year investigation with Myers-Szupinska, a Los Angeles-based art historian and editor whose focus is on contemporary art, exhibitions, and the politics of space.